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Art and the City |
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| by: Jim Magner | |||
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Artist Profile: Chris Stephens His work is about the poetry of the outdoors, but it is just as much about the art of making art. He looks intently and makes his marks carefully, not to make the painting conform to some preconceived notion, but to pick up clues from the real, ever-changing world. Most of all, he wants energy in his color and brushwork. He works fast and resists the temptation to get fussy. “If you try to fix everything, you can take the life right out of a painting.” Chris lives with his family in Front Royal, Va., migrating from DC 20 years ago. He grew up in Raleigh, NC, the shy middle kid whose personal identity got wrapped up in art at a very early age. Unlike most of us, he became a professional painter first, and then went to a good college art school that stressed drawing and the other basics as well as discipline and practice. He has taught art at community colleges and has been the “artist in residence” in Warren County, Va. But teaching requires so much time and energy that he has again devoted his time to being a professional painter. In Chris Stephens’ work, the life is there because the energy is there. It is not about ego or a grasp for artistic immortality. He’s just telling a story about life one painting at a time. He tells the story very well. You can see and buy his work in December at the Long View Gallery at 1302 Ninth St. NW. Call 202-232-4788 or see www.longviewgallery.com. Jim Magner’s Thoughts on Art As a child, Christmas was a time of visual ideas: the paintings and pictures of simple places, humble people and serene, undisturbed nature. In a word, art. Art is still a saving grace in a time that needs considerably more grace – both spiritually and behaviorally. Happily, there is plenty of great art and special exhibits in the local museums at the moment, and there are very good shows at the private art galleries all over the area. Add to that the hundreds of individual artists who sell at open-air locations such as the Eastern Market on Capitol Hill and in the street fairs in the various neighborhoods. So if you find yourself in need of a protective cove – a tranquil place out of the vicious currents of holiday shopping, slide your mind into a visual eddy, and let it float for a while. Remember also, that art has economic as well as subjective value. It is hard to find a better gift that allows you to share a visual idea … and genuine emotion. At the Museums Impressionists by the Sea It is the mid 1800s, and tracks are being laid from Paris to the shores of the English Channel. The railroads bring tourists, and painters, who transform the rough villages of sailors and fishermen to upscale playgrounds for the city swells – the social worthies of Paris with their grand dresses and parasols, suits, derbies and walking sticks. Isabey, Corot, Courbet, Monet, Cassat, Whistler, Renoir and others, capture this transition. There are still a few working folks around, but even they are idealized: beautiful and happy. With the tourist came the graceful sailboat with elegant forms that reflect the subtle offshore lights and shades. These are not working boats. They are aloof, self-aware swans gliding over the waters of the good life – mysterious in their world apart from the laborers. And a painter’s dream. And what painter of romance doesn’t love water, as difficult as it may be technically. This water flows and ebbs, reflecting an eternity of calm … yet moody at times and a trifle rough to remind you that nature rules. Not all of these paintings are technically Impressionist, but who cares? They are unfailingly pleasant and a warm delight on a nippy winter’s day. www.phillipscollection.org. Annie Leibovitz National Gallery of Art At the Galleries Wrap-It-Up Small Treasures All Media Show Low Country Martha Phillips William T. Wiley Jim Magner is a Capitol Hill artist and writer. He can be reached at ArtandtheCity05@aol.com. |
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